I’m bringing you The Dunce Cap a little early this week. Why? Because I Can and Because I Want To, which are two concepts I can get behind.
The Dunce Cap, Vol. 29: Underneath the stars on the Ferris Wheel, you swung your feet and sang my favorite Weezer song. So I sang along. (click on link to listen to mix via 8tracks)
1. “Write About Love” – Belle & Sebastian
2. “All the Wine” – The National
3. “Kiss Your Lips” – Allo Darlin’
4. “Naomi” – Neutral Milk Hotel
5. “Laura” – Girls
6. “Like or Like-Like” – Miniature Tigers
7. “Oysters” – Matt Duke
8. “The Mystery Zone” – Spoon
9. “Begin” – Ben Lee
10. “All of Us” – Painted Palms
*BONUS TRACK* “The Boys Are Back in Town” – Belle & Sebastian (Thin Lizzy cover)
I promised you Dunce Cap devotees (so, you know, I promised myself, really) new artists and tunes, so this is my way of delivering. New artists? A couple. There’s Allo Darlin’, this great London foursome with a love for Weezer and Woody Allen and a tacit appreciation for “Graceland” (sample lyric: “You see, it’s like loving ‘Graceland.’ It’s not allowed to be, but we know it’s everybody’s favorite,” from “My Heart is a Drummer”). And then there’s Painted Palms, a San Franciscan band which Sound of the Sound describes as “a happily drugged out mix (think pot and mushrooms, not ketamine and meth) of Passion Pit and Animal Collective.” [Sound of the Sound]
And, of course, there are new tracks from Spoon and Belle & Sebastian, a favorite National track of mine from “Alligator” (who else but Matt Berninger can get away with a line like “I’m a perfect piece of ass, like every Californian”?), a Matt Duke song with a great whistling breakdown and my very favorite tune from my very favorite Aussie, Ben Lee. Finally, the mix rounds out with a bonus cut from Belle & Sebastian’s BBC Session, a cover of Thin Lizzy‘s “The Boys Are Back in Town.” The song manages to combine two things I love the most: Glasgow indie pop and Irish hard rock. Somehow, I don’t think the two get along. Except musically.
All in all, it’s a pretty pleasing mix, about, as most music is, love. It’s not a statement, really, it’s just the subject of a lot of the music I like best. And the album art is a glorious painting from Edward Hopper, the artist behind “Nighthawks,” which I will see in person tomorrow!
How’s that for a description, kiddos?
I’ll be back tomorrow with some interesting and laughable videos and cultural musings. And for next week’s Dunce Cap, I’ll have all sorts of new music to contribute. I’ve resubscribed to some of my favorite music blogs (You Ain’t No Picasso, Music for Kids Who Can’t Read Good and I Guess I’m Floating, which you should all check out), so I should have exciting new ear candy soon.
In the meantime,
P.S. I just finished Woody Allen‘s “Manhattan.” I’m not a huge fan of Woody’s nebbish neurotic (in any of his films, really), but I did tend to like his leading lady. The 17-year-old Tracy explains to her much older beau, “Not everybody gets corrupted. You have to have a little faith in people.”
Yeah, I guess I’ll have to remember that.